Top 6 Funleader 18Mm F 8 Trust The Answer

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Weird lens reviews: Funleader 18mm f/8 ‘Cap Lens’ (Full-frame APS-C)
Weird lens reviews: Funleader 18mm f/8 ‘Cap Lens’ (Full-frame APS-C)


Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!) – 35mmc

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  • Summary of article content: Articles about Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!) – 35mmc The Funleader 18mm f/8 is about as simple as lenses come. It doesn’t focus, it’s just fixed at its hyperfocal distance of what looks to be about … …
  • Most searched keywords: Whether you are looking for Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!) – 35mmc The Funleader 18mm f/8 is about as simple as lenses come. It doesn’t focus, it’s just fixed at its hyperfocal distance of what looks to be about …
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Creative Opportunity

The Funleader 18mm f8

Lomo-Inspiration

More Photos

Final Thoughts

Funleader 18mm f/8 Review - Limiting, but Fun (and Cheap!) - 35mmc
Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!) – 35mmc

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Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review | PCMag

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  • Summary of article content: Articles about Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review | PCMag The Caplens 18mm F8.0 is a small as lenses get, just 0.55 by 2.01 inches (HD) and featherweight at 1.4 ounces. Its dimensions aren’t far off … …
  • Most searched keywords: Whether you are looking for Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review | PCMag The Caplens 18mm F8.0 is a small as lenses get, just 0.55 by 2.01 inches (HD) and featherweight at 1.4 ounces. Its dimensions aren’t far off … The appropriately named Funleader Caplens 18mm F8.0 is a snapshot lens with a slim pancake design and an ultra-wide angle of view that captures images full of lo-fi character.
  • Table of Contents:

Funleader Caplens 18mm F80 045m-∞ for M-mount Specs

Not Much Bigger Than a Body Cap

Set-It-and-Forget-It Focus

A Toy Lens With Artsy Flare

Charming Lo-Fi Imaging

Honest Objective Lab-Tested Reviews

Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review | PCMag
Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review | PCMag

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Funleader Cap Lens 18mm f/8 review | Digital Camera World

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  • Summary of article content: Articles about Funleader Cap Lens 18mm f/8 review | Digital Camera World The Funleader offers an angle of view almost as we, at 18mm, but captures a corrected rectilinear (non-fisheye) image. It really is barely … …
  • Most searched keywords: Whether you are looking for Funleader Cap Lens 18mm f/8 review | Digital Camera World The Funleader offers an angle of view almost as we, at 18mm, but captures a corrected rectilinear (non-fisheye) image. It really is barely … How much does it cost to get an 18mm prime lens for your full frame mirrorless camera? With the Funleader Cap Lens, not much!
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Funleader Cap Lens 18mm f/8 review | Digital Camera World
Funleader Cap Lens 18mm f/8 review | Digital Camera World

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Funleader CapLens 18mm f8.0 Wide angle lens Pancake Cap Lens For E TL Mount | eBay

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  • Summary of article content: Articles about Funleader CapLens 18mm f8.0 Wide angle lens Pancake Cap Lens For E TL Mount | eBay FUNLEADER Cap Lens 18mm f/8 doesn’t carry any of electronic component, makes it as light as a feather. The closest focusing distance of FUNLEADER Cap Lens … …
  • Most searched keywords: Whether you are looking for Funleader CapLens 18mm f8.0 Wide angle lens Pancake Cap Lens For E TL Mount | eBay FUNLEADER Cap Lens 18mm f/8 doesn’t carry any of electronic component, makes it as light as a feather. The closest focusing distance of FUNLEADER Cap Lens … FUNLEADER Cap Lens 18mm f/8 doesn’t carry any of electronic component, makes it as light as a feather. The closest focusing distance of FUNLEADER Cap Lens is 0.8. FUNLEADER Cap Lens 18mm f/8 can bring you an incredible experience in photography.
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Funleader CapLens 18mm f8.0 Wide angle lens Pancake Cap Lens For E TL Mount  | eBay
Funleader CapLens 18mm f8.0 Wide angle lens Pancake Cap Lens For E TL Mount | eBay

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Spend Your Money Better. Funleader 18mm f8 Lens Review

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  • Summary of article content: Articles about Spend Your Money Better. Funleader 18mm f8 Lens Review The Funleader 18mm f8 is a lens that basically makes your dedicated camera function sort of like your phone’s camera. …
  • Most searched keywords: Whether you are looking for Spend Your Money Better. Funleader 18mm f8 Lens Review The Funleader 18mm f8 is a lens that basically makes your dedicated camera function sort of like your phone’s camera. The Funleader 18mm f8 lens is a totally unique and different option from much of what’s on the market. But it’s also not worth the money.
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Too Long Didn’t Read

Pros and Cons

Gear Used

Innovations

Funleader 18mm f8 Tech Specs

Funleader 18mm f8 Ergonomics

Funleader 18mm f8 Build Quality

Ease of Use

Focusing

Funleader 18mm f8 Image Quality

Extra Image Samples

Funleader 18mm f8 Conclusions

Chris Gampat

Spend Your Money Better. Funleader 18mm f8 Lens Review
Spend Your Money Better. Funleader 18mm f8 Lens Review

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Funleader 18mm F/8 Cap Lens Review – Casual Photophile

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  • Summary of article content: Articles about Funleader 18mm F/8 Cap Lens Review – Casual Photophile It’s a lens. It’s a body cap. It’s a body cap lens! Yes, the Funleader Cap Lens, an 18mm F/8 focus-free lens, is all of that. …
  • Most searched keywords: Whether you are looking for Funleader 18mm F/8 Cap Lens Review – Casual Photophile It’s a lens. It’s a body cap. It’s a body cap lens! Yes, the Funleader Cap Lens, an 18mm F/8 focus-free lens, is all of that. Dario reviews the inexpensive and suprisingly good Funleader 18mm F/8 Cap Lens, a lo-fi lens that’s about the size of a body cap!
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Funleader 18mm F8 Cap Lens Review

Funleader 18mm F/8 Cap Lens Review - Casual Photophile
Funleader 18mm F/8 Cap Lens Review – Casual Photophile

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Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm

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  • Summary of article content: Articles about Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm. WinWinTeam. Tháng Mười Hai 14, 2020 … …
  • Most searched keywords: Whether you are looking for Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm. WinWinTeam. Tháng Mười Hai 14, 2020 …
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Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm
Ống kính pancake FUNLEADER 18mm f/8 nhỏ chỉ bằng lens cap đã có bản dành cho máy ảnh Fujifilm

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Funleader 18mm f/8 Review – Limiting, but Fun (and Cheap!)

I recently replaced my Fuji X100v with a Sony A7iii that was retired from work. Not long later the manufacturers of the Funleader 18mm f/8 pancake lens got in touch asking if I might like to review it. I didn’t really have any intention of reviewing Sony mount lenses – there’s plenty of people out there doing it already – but I couldn’t help being intrigued to try this lens.

I was intrigued by it when they launched it on Kickstarter too, but mostly for the fact that I didn’t use the works Sonys for pleasure, I didn’t bite the bullet. We have an 18mm Zeiss Batis lens at work too so we didn’t need a lens of this field of view. And that’s not to mention the fact that something being advertised as “not a lens for high-quality optical performance” and “like using a Lomo camera which puts more emphasis on creation rather than optical effect” doesn’t really fit a very large percentage of my work photography.

Creative Opportunity?

But, those who know me well will know that those sorts of words used in marketing guff are just the sort that pique my interest for my hobby. I’m not necessarily driven to create images that are whacky for the sake of whacky for myself, but I do like kit that doesn’t fit the convention of just trying to follow the path of bigger, better, sharper, faster, etc.

More specifically, even with lenses that I’m not sure fit my creative goals, I like digging into them to see what others might be able to achieve. Case in point, the Meyer 100mm and 30mm I’ve recently reviewed. Both lenses gave me a lot of enjoyment through the process of discovering their optical traits for the sake of a review.

The Funleader 18mm f/8 is a little different to those lenses though. For a start, unlike the Meyers which approach a £1000 each, the Funleader is only around £100. This changes the playing field slightly. A lens this cheap doesn’t need to sell itself so much on enticing optical traits. For the money, it could just be picked up with little more mental commitment to it than as a fancy body cap that offers a bit of fun photography once in a while. In fact, I suspect that’s pretty much the target audience… but I still wanted to see what I could get out of it creatively.

The Funleader 18mm f/8

The Funleader 18mm f/8 is about as simple as lenses come. It doesn’t focus, it’s just fixed at its hyperfocal distance of what looks to be about 2m to obtain a claimed 0.8m to infinity depth of field.

It also doesn’t allow the user to change the aperture. It’s just fixed at f/8. In fact, it is basically a body cap with an optic stuck in the middle.

To be fair to it, whilst it doesn’t have anything in the way of mechanics to judge the build quality on, the Funleader 18mm f/8 does feel pretty solid. It’s made out of aluminium and feels well machined. My only criticism of it I suppose is the lightly garish branding on the front. Though it should be said it’s not nearly as garish as the recent Pergear 10mm apsc lens (actually, that link takes you too a review of the prototype which has nothing on the front – but look it up on google and you’ll see how to really make a lens ugly).

Funleader 18mm f/8 Optics

Whilst it does have an apparently multi-coated optic made of 6 elements in 5 groups, which on paper could make it sound quite fancy for what it is, it really isn’t. As they say themselves, the Funleader 18mm f/8 is “not a lens for high-quality optical performance”.

So what does this mean in practice. Well, to begin with – the first thing I noticed – it vignette excessively. It is also massively lacking in contrast. The result of this is that images straight out of camera look soft, undefined, washed out and very much darker into the corners.

It also suffers veiling flare too which results in images looking even more washed out. And then there’s the distortion, and ghosting, and the fact that it gets a lot softer into the corners too – not that you can often really see the corners…

And this is where I think it really departs from the Meyer lenses I’ve tried recently. When using those lenses, I could see straight away their optical appeal. Both have stand out optical traits that I was able to see might inspire someone to use them for the way they render images.

The Funleader 18mm f/8 doesn’t do it for me in the same way – the images straight out of camera feel the opposite. They’re flat, mushy, and a little dull. In short, in their own right, I found them a little uninspiring. Of course, this isn’t to say that the SOOC look the lens produces might not appeal to some people, it just didn’t to me. Not on digital at least – this sort of optical rendering is much more suited to film photography… unfortunately, Sony don’t make an E-Mount film camera…

But, that’s not to entirely throw the baby out with the bathwater. Whilst I’m not keen on what this lens does straight out of camera, the comment in the original marketing guff about it being like a Lomo lens did inspire some specific thinking.

Lomo-Inspiration

Pretty much as soon as Funleader offered me a lens to review I had an idea how I wanted to do with it. I have in the past had a couple of great snapshots out of lenses with this sort of focal length. One of those lenses was attached to a Lomography LC-Wide with its 17mm lens. If this Funleader 18mm f/8 is being touted as “like using a Lomo camera which puts more emphasis on creation rather than optical effect”, could it provide me with something of the fun I had with that camera but on a digital body…?

The Fuleader 18mm f/8 sealed the deal within a few shots of my experiments with it – even the little previews on the back of the camera looked a little flat and uninspiring. To solve this issue – with some of my favourite Lomo LC-Wide images in my head – I switched the camera into black & white and banged the contrast to full.

I then went out shooting… and you know what, I did find myself inspired! Looking at the high contrast black & white images on the screen of the camera, I could now more easily see the lens’s potential. In fact, it looked as though with a bit of post process to hide its optical shortcomings, I could get something quite interesting out of this lens!

And that was just the images. The user experience very quickly became very appealing to me. Being able to just point and shoot without thinking about focusing or depth of field or what aperture I’m shooting is loads of fun. What’s in focus? Basically everything – I could shoot just thinking about composition, which is something I find very freeing and enjoyable!

I must admit, I probably would have appreciated a close-focus option to go with the hyperfocal option, but even that I just worked around. I’m used to shooting rangefinders, so committing to the idea that I couldn’t focus on anything much less than a meter away wasn’t a big leap.

The Funleader 18mm f/8 is also tiny on the Sony, making it feel more like carrying the smaller cameras I prefer. These Sonys only ever otherwise feel like this to me with the little 35mm f/2.8 lens attached.

Add to that the flappy screen, and I was able to remove the need to guess framing or get myself into weird positions to look through the viewfinder. I enjoyed that process when I was shooting the LC-Wide, but not having to rely on serendipity was more enjoyable still.

With ultra-wide lenses, framing is a lot about depth and leading lines. It’s easy to get wrong, but much easier to get right when you can see the final image on a flappy screen rather than trying to get your eye to a viewfinder. Because of this, and how quick the Sony is, I was able to make snap judgements about images I wanted to get, and just get them with zero faff.

During one short covid-lockdown walk to the pharmacy, to the office to check the post, and a different way home and I got myself 12 keepers. I also had that photography buzz that I so desperately crave but rarely get at the moment. Very satisfying – especially during lockdown.

Of course, me being me, I still shot the images in RAW, and then had to deal with them appearing in Lightroom in their dull, flat, lifeless colour, SOOC form. A quick select all -> auto-sync on -> black & white -> loads of contrast -> bump to the clarity and sharpness, and even (unusually for me) some artificial grain to hide the remaining slightly unattractive digital softness, and there I was with some images I really liked again.

Straight out of camera vs. high contrast black & white conversion

I didn’t even find myself limited by the f/8 aperture. I have the Sony top out at 12,800 ISO in auto mode, I came up against that limitation once, and still took the photo. I wasn’t sure how it was going to come out, but with a boost to the exposure in lightroom, I got this:

12,800ISO HA! If I’m going for a gritty look, it’s not like that extra noise makes much odds – especially with this lens which is already soft anyway!

More Photos

Something I think is worth noting in terms of how the character of the Funleader 18mm f/8 impacts on the end result is the heavy vignette. It’s not as noticable before processing the images, but if you boost the contrast to the point that the flat, washed-out look goes away, you end up very much enhancing the vignette.

When shooting subject matter that is naturally nicely framed by a vignette, this doesn’t matter so much…

…but if you include the sky in the frame, it can look quite heavy. Of course, more post processing could be applied to solve this issue.

And sometimes, just sometimes that lower contrast look inherent to to glass can have a positive impact. In this next image the lower contrast has given the light around the building a bit of glow which has taken some harshness out of the highlights a bit I think.

Here in this next image again, I think the lower contrast lens has paid dividends in the black and white conversion too – I guess this is why some people like low contrast glass for black and white digital photography – the tonality here just felt right with very little postprocess effort.

Final Thoughts

Looking at the I created with the Funleader 18mm f/8 (and a dash of Lightroom) made me think about the times I used to struggle with post process – I mentioned this in the article I published the other week. I used to process the crap out of images to the point that it didn’t matter what lens I’d shot the photos with – when working like that with esoteric glass that had been purchased for its unique character traits, it just felt like a bit of a travesty to over-process.

With the Funleader 18mm f/8, I found the reverse to be true – it’s cheap and not really designed or likely bought with optical qualities in mind, so what does it matter if I heavily post process the images…?

Thinking this made me wonder how many people have produced images that look like this that have been shot with much more expensive and more objectively perfect glass? Of course, it’s useful to have the much more perfect glass if your intention is to use it for a wider range of subject matter. There is no way I could get away with using the Funleader 18mm f/8 in place of my Batis lens for interior work for eg. But equally, the Batis would be total overkill for producing images like I have here. It’s much bigger (albeit still quite small for what it is), and its optical qualities would bring little advantage if I were to post process images to this degree.

In short, it’s the size and carefree approach to shooting that the Funleader 18mm f/8 brings to the table. Yes you have to post process your images for them not to look a bit soft and washed out, but that’s the compromise here. It’s ~£100, you’re not buying optical quality, Funleader are quite open about that. What you’re buying is a very small, cheap optic in a cheap (albeit solid feeling) housing that – given a bit of creativity – can create interesting photos. And in that sense, what is there to argue with…? I’m keeping mine!

Funleader sell the 18mm f/8 on their own website here

I’ve also just noticed they sell an M-Mount version the close focuses here – I might have to give that one a go too now!

Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount Review

The Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount ($159) is one of the smallest and lightest lenses for any camera. It’s a feat, especially given its full-frame coverage and ultra-wide view. A hyperfocal design, one where you can snap in-focus shots without having to worry too much about adjusting the lens, is a good match for from-the-hip photos. Optical quality isn’t world class, but you might just love the soft results, heavy vignette, and glowing flare the lens creates. The Caplens lives up to its billing—it’s slimmer than a pancake and a lot of fun to use. It’s worth a look if you’re after a wide, artistic lens for your rangefinder or mirrorless camera.

Not Much Bigger Than a Body Cap

The Caplens 18mm F8.0 is a small as lenses get, just 0.55 by 2.01 inches (HD) and featherweight at 1.4 ounces. Its dimensions aren’t far off from a protective body cap, and when mounted to a camera it barely protrudes from the body. Construction is aluminum, available in your choice of black or silver finish. We received the black edition for review.

(Photo: Jim Fisher)

This is the second version of the Caplens. The first, still available for $99, has a fixed-focus design and is sold for popular mirrorless mounts. It uses the same optics, but doesn’t allow you to adjust focus, and doesn’t focus quite as close as the M-mount 0.45m-∞ edition we’re reviewing here.

The M-mount edition lets you set focus, and opens up compatibility with high-end Leica rangefinder cameras. It’s adaptable to mirrorless systems, so you can use it on any mirrorless camera with a simple mechanical adapter. Funleader sells adapters for Canon RF, Fujifilm X, L-Mount Alliance, Nikon Z, and Sony E cameras.

(Photo: Jim Fisher)

For this review I used the Caplens with the Leica M (Typ 240) and, with an adapter, the Sony a7R IV.

Set-It-and-Forget-It Focus

To borrow a line from Ron Popeil, the Caplens 18mm F8.0 is one you can set and forget. It’s a manual focus lens, but for many images you won’t have to worry about adjusting its focus lever. The Caplens keeps everything in focus when set to its 3.3-foot (1m) position. The lever clicks into this spot, so it’s easy to set by feel, and it’s quick to shift to infinity for times when you know you’re eyeing a distant landscape, or to its 1.5-foot (0.45m) position for close-up shots.

Leica M (Typ 240), 1/350-second, ISO 200 (Photo: Jim Fisher)

It makes this one a good fit for photographers dabbling in film. With an analog M you’ll need to add an accessory optical finder to frame up wide 18mm images, something rangefinder devotees are well used to. You’ll need to spend a lot more for a wide angle with focus coupled to the optical rangefinder—the $549 Lomography Atoll 2.8/17 is one of the most affordable examples.

Many digital Leica Ms offer live view focus and support electronic add-on viewfinders for precise framing and, if you want, a magnified view for a bit of precision focusing. I didn’t worry too much, though—there’s room for slightly defocused backgrounds when focusing up close, but at the middle distance everything a few feet from the camera off into the background is in focus.

Sony a7R IV, 1/400-second, ISO 100 (Photo: Jim Fisher)

There are a lot more mirrorless camera owners out there than Leica M photographers, and we’d imagine the Caplens will see plenty of service on Sony E, L-mount, Canon RF, Micro Four Thirds, Nikon Z, and Fujifilm X bodies using an adapter. With these cameras you’ll enjoy the same experience as with any other manual focus lens—direct view through an electronic viewfinder.

A Toy Lens With Artsy Flare

The Caplens’ optics are downright tiny, but the fingertip-sized optical block houses a 6-element/5-group design. Photos show good detail and are relatively free of distortion, regardless of what camera you’re using.

Leica M (Typ 240), 1/180-second, ISO 200 (Photo: Jim Fisher)

There’s a strong vignette with most mirrorless cameras, though. The corners of photos are much dimmer than the center. The vignette isn’t as strong on digital Leica M bodies, as their sensors are designed for better corner illumination, but the M (Typ 240) shows heavy magenta shift at the edges of the frame.

Color shift isn’t news for M owners, it’s a common issue with certain wide angle designs. If you find it troublesome you can use the lens for black-and-white work, or compensate for the false color using the free Cornerfix(Opens in a new window) app.

Leica M (Typ 240), 1/90-second, ISO 200 (Photo: Jim Fisher)

The Caplens handles shots directly into the sun quite well. You can use it for backlit shots and induce some pleasing flare. The sunstar effect isn’t obtainable, though—the optics don’t have an adjustable aperture, and one is required to create images with sunstars.

Charming Lo-Fi Imaging

No one will mistake the Funleader Caplens 18mm F8.0 0.45m-∞ for a piece of high-end photo gear. Rather, it’s a lens you can grab when you’re after focus-free snapshots, wide angle views, and images with a generally lo-fi look. The body cap form factor is part of the charm, too. If you’re pairing the lens with a smaller camera, you’ll end up with a kit that slides into a jacket pocket.

Leica M (Typ 240), 1/90-second, ISO 200 (Photo: Jim Fisher)

And you’ve got some choice as to what camera you use. This M-mount version works with digital and film rangefinders from Leica, and is easily adapted to more commonly used digital mirrorless systems. I tried it with both a Leica M and Sony E mirrorless camera with good results. If you’ve got a mirrorless camera, you can skip the M-mount version and snag the original focus-free version of the lens, now on sale for around $100.

(Photo: Jim Fisher)

Either way, the Funleader Caplens is worth adding to your kit, assuming you’re a fan of its imaging characteristics. It’s a fun little lens, one that lives up to its moniker.

Funleader Caplens 18mm F8.0 0.45m-∞ for M-mount 3.5 (Opens in a new window) See It $159.00 at Funleader (Opens in a new window) MSRP $159.00 Pros Ultra-slim form factor

Wide angle view

Full-frame coverage

Lovely flare characteristics

Adjustable focus

Mirrorless system compatibility with adapter View More Cons Shows color cast on digital Leica M

Lo-fi optics not for everyone The Bottom Line The appropriately named Funleader Caplens 18mm F8.0 is a snapshot lens with a slim pancake design and an ultra-wide angle of view that captures images full of lo-fi character.

Funleader Cap Lens 18mm f/8 review

The Funleader Cap Lens is very small, very nicely made and ultra-simple to use. Unfortunately, its optical quality is pretty poor, but you may still fall in love with its heavily vignetted soft-focus look, in which case it’s an interesting novelty that can give your images a look that’s unlike anything you’ll get from a regular lens. And did we mention it’s cheap!

Body cap lenses aren’t new – we have an Olympus Body Cap fisheye lens that performs beyond all reasonable expectations. The Funleader offers an angle of view almost as wide, at 18mm, but captures a corrected rectilinear (non-fisheye) image. It really is barely thicker than a body cap, though its aluminium construction means it is somewhat heavier.

But does it offer a serious alternative to a regular ultra-wide lens? Probably not. The Funleader is more of a quirky novelty than a serious lens. It will give you an interesting ‘look’, but it won’t match the features, flexibility or performance of a regular lens.

Specifications

Focal length: 18mm

Mounts: Sony E-Mount, Canon RF-Mount, Fujifilm X-Mount, Nikon Z-Mount, Leica L-Mount

Aperture: f/8.0

Field of view: 100°

Closest focusing distance: 0.8m

Lens construction: 6 elements in 5 groups

Coating: Multi-coated

Body material: Aluminium

Weight: Approx. 80g

Size: 62x15mm)

Key features

The Funleader Cap Lens is indeed barely thicker than a body cap. (Image credit: Rod Lawton/Digital Camera World)

One key feature of the Funleader Cap Lens is that it’s just 15mm thick. Another is that it weighs only 80g. The real key features, however, are that this is a lens with a fixed f/8 aperture and fixed focus. Funleader says the focus range is 0.8m to infinity, which seems pretty optimistic for a full frame camera even with such a short focal length, but it does make this lens simple to use. You do really just point and shoot because there’s nothing to adjust.

The lens construction is 6 elements in 5 groups, which is perhaps a little more complex than we might expect in a novelty lens, and that’s married up with an aluminium construction and multi-coated lenses.

Build and handling

There are no electrical connections, there’s no aperture mechanism and you can’t even change the focus. (Image credit: Rod Lawton/Digital Camera World)

This is quite a dense and heavy little lens that feels well made. It locked on to our Sony body with a firm, solid click and with no play or looseness once in place. There are no moving parts, so there’s really not much else to say about the handling!

The only thing is, there’s no front or rear cover for the lens. It does come with a soft case, but when it’s mounted on the camera, there’s nothing to protect the front element when it’s in your bag.

There’s no aperture control, or any physical or electronic connection between the lens and the camera body, but you can sill use the camera in manual mode, aperture-priority or even program AE mode. The camera can simply measure the light coming through the lens and set the shutter speed accordingly.

Performance

Straight from the camera, the Funleader Cap Lens’s images don’t look promising, with heavy vignetting and soft-looking detail. (Image credit: Rod Lawton/Digital Camera World)

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A couple of minutes’ editing work, however, reveals its images can look pretty good. (Image credit: Rod Lawton/Digital Camera World)

There’s nothing to say about the autofocus performance because there is no autofocus, so it all comes down to the image quality.

This falls way short of what you would expect from a regular lens, with strong vignetting from uneven illumination into the corners of the frame, and the detail rendition is soft.

It’s not disastrous, though. A few moment’s work on our RAW files with Capture One’s Light Fall off adjustment, sharpening and structure tools revealed quite good images – you could make the same adjustments in other programs.

Or you can embrace the Funleaders’ soft and dreamy, heavily-vignetted look for what it is. As lo-fi looks go, this one is quite pleasant.

The Funleader is ideal for lo-fi looks and mean and moody mono treatments. (Image credit: Rod Lawton/Digital Camera World)

Verdict

(Image credit: Rod Lawton/Digital Camera World)

You have keep in mind the Funleader Cap Lens’s price and simplicity. This is an ‘alternative’ lens that’s not going to challenge the image quality of a regular lens, but instead offers a different lo-fi rendition. When you first take it out of its box, its weight and finish might raise your expectations a little, but your first batch of images will quickly dispel any illusions.

The Funleader Cap Lens is actually quite appealing, but more for artists and experimenters and certainly not for technical perfectionists. Is it worth the price? It’s pushing the top end of what it’s worth optically, that’s for sure.

Currently the Funleader Cap lens costs $149/£109 and is available only from the Funleader Shop (opens in new tab). We’ll add other resellers when it becomes more widely available.

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