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hexanon 60mm f1 2
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Konica Hexanon 60mm F1.2 Lens (Compared with Konica 50mm F1.2) — LEICA MOMENT REVIEW
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Konica Hexanon 60mm f1.2 LTM photos on Flickr | Flickr
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Konica Hexanon 60mm f1.2 LTM photos on Flickr | Flickr
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f22cameras | Konishiroku Konica Hexanon 60mm f/1.2 Original Leica Screw LTM (3360035)
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- Most searched keywords: Whether you are looking for f22cameras | Konishiroku Konica Hexanon 60mm f/1.2 Original Leica Screw LTM (3360035) Updating in the 1950s, several japanese lens-making companies engaged in intense competition to strive for super-fast lens with extremely large aperture, aiming to make a significant breakthrough in the photography world. zunow 50mm f/1.1, fujinon 50mm f/1.2, nippon kogaku nikkor-n.c 50mm f/1.1 and konishiroku (konica’s predecessor) hexanon 60mm f/1.2 were the four best japanese lenses at that time, estimated 80 or less produced. 8 elements 6 groups (3360035)Konishiroku Konica Hexanon 60mm f/1.2 Original Leica Screw LTM
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Tất cả tin tức tagged “Konica Hexanon 60mm f/1.2” | CỬA HÀNG MÁY ẢNH CŨ HÀ NỘI
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The Konica Hexanon 60mm f/1.2, Special Edition (Review). | Cameras and accessories, Photography gear, Vintage cameras
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- Most searched keywords: Whether you are looking for The Konica Hexanon 60mm f/1.2, Special Edition (Review). | Cameras and accessories, Photography gear, Vintage cameras Updating Jun 24, 2016 – [Disclaimer: Similar to my Voigtländer Nokton 40mm f/1.4 and Voigtländer Nokton 35mm f/1.2 posts, this is a user report and is not intended to be a comprehensive lens review.] Introduction and Conclusion. I no longer recommend this lens. —Peter.
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Konica Hexanon 60mm F1.2 Lens (Compared with Konica 50mm F1.2) — LEICA MOMENT REVIEW
Build Quality
The build quality of the Konica Hexanon 60mm f/1.2 lens is excellent and on par with some of Leica lenses. The build quality is very similar to its little brother, the Konica Hexanon 50mm F1.2 lens but it is finished in matte black paint barrel with a chrome front rim.
The Konica Hexanon 60mm f/1.2 lens is relatively smaller size and light weight compared to other similar ultra fast lenses. The lens weights almost the same as the Konica Hexanon 50mm F1.2 at just over 400 grams for such large aperture lens. The focus ring feels buttery smooth when turning and the aperture ring clicks solidly in place with half stop increments.
Image Quality
The Image Quality of Konica Hexanon 60mm f/1.2 is nothing short of amazing. The lens produces medium to high contrast, excellent colour saturation with very smooth and pleasant bokeh. When shooting wide open, it is extremely sharp with great three dimensional image pop.
This Lens has Dual Characters
1) Under Normal or Not Ideal Lighting Conditions: It renders just like the Konica Hexanon 50mm F1.2 Lens with similar signature especially in low light or cloudy environment.
2) Under Great or Ideal Lighting Conditions: It renders like Oil Painting with vivid colours and extremely pleasant background under sunny or well-lit environment.
Specifications
Lens Mount: L39 | LTM
Production Year: 1955 | 1999
LTM Mount
Construction: 7 Elements / 6 Groups
Diaphragm: 10 Aperture Blades
Maximum / Minimum Aperture: F1.2 – F16
Closet Focusing Distance: 0.8m
Filter Size: 58mm
Weight: 410g
Konica Hexanon 60mm f
[Note: This post is intended for novice, and not experienced, photographers.]____________________________________
In photography, the aperture is the adjustable opening of a lens that determines the amount of light entering through it and onto a camera’s sensor, be it digital or film. If the aperture is large, a large amount of light will pass through the lens and enter the camera; if the aperture is small, a small amount of light will enter the camera.
Simple, right? But, it gets a little confusing…
The problem with using the entrance aperture size to communicate a lens’ light transmitting ability is the physical reality that a longer lens will require a larger aperture to achieve the same level of light transmission as a shorter lens. In other words, if “x” is the amount of light we wish to reach a camera’s sensor, a 75mm lens will require a bigger “hole” (aperture) at the entrance than a 50mm lens to achieve “x”.
To avoid confusion, and to standardize notation across all lens types, f-numbers — instead of actual aperture sizes — are used to communicate the light-transmitting ability of all lenses. An f-number (also known as an f-stop, or focal ratio) is defined as the focal length of a lens divided by the aperture diameter.
You’ll usually see f-numbers labelled on lenses as a sequence of fractions:
f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22, etc.
The important thing to remember is that because the f-number is a fraction, the smaller the denominator, the greater the light transmission.
(please click on the image to view LARGER)
Thus, when considering light transmission, f/1 > f/1.4 > f/2 > f/2.8 > f/4, etc.
In fact, for every step to the left in the sequence above, twice as much light is being transmitted as the preceding step. Thus, f/1 allows for twice as much light to hit the sensor as f/1.4, and f/1.4 allows for twice as much light as f/2, etc.
Incidentally, lenses that are able to achieve maximum f-numbers of f/1, f/1.4, or f/2 (or even f/2.8) are often loosely referred to as “fast” lenses because they allow photographers, for a given amount of light, to shoot at faster shutter speeds than so-called “slower” lenses (exactly twice as fast for each step up in the f-number ladder).
It follows from the above, then, that large aperture/f-number lenses are useful in low-light situations:
↑Leica M9 and Konica Hexanon 60mm @ f/1.2.
The other main use for large aperture/f-number lenses is to achieve subject isolation.*
Thus a lens of a given focal length set to f/1.4 (for example) will create a greater background blur than when set to f/4.:
↑Leica M9 and Leica 75mm Summilux @ f/1.4
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↑Leica M9 and Leica 75mm Summilux @ f/4.
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I hope you found this useful,
—Peter.
______________________________________________
*The other way to achieve subject isolation is to shoot with a longer focal length.
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